I wrote a play.

Its working title is 'iFamily: One house, three kids, no broadband'. Brief synopsis:

Its core target is 17-22 year olds, but it will appeal to anyone. It's set in a family home over one day. The basic rundown is Sam, a 15year old boy and his mate, Kat, are trying to figure out who used up all the broadband allowance, which drives them through the house where we meet all the other characters: Molly, 17, and her gang of girls. Riot girls. Molly is a passionate feminist who rants about how no one does anything for the cause these days. Then Bain, 19, the older bro who is researching female empowerment in pop music. He's a sensitive lad. Then Gran, who the kids think is senile but is a actually a stoner. Did I mention that it rhymes? Parts of it anyway. I've never quite gotten over my love for things that rhyme, I love the rhythm of language.

There are very strong themes in the play around technology, social media and the impact on family and today's teenagers. Also around gender roles and the accessibility of feminism to young people in the modern day. And a big wallop of popular culture critique with a smattering of talk around marketing. What can I say - it's everything I'm interested in rolled into one.

The play has some interactive elements - seeing how pivotal technology is to the play it wouldn't make sense not to. But it's the publicity and the additional media elements that I'm really excited about. I want the public to be able to add Molly as a friend on Facebook, subscribe to Bain's YouTube channel, and order product from Kat and Sam's online business. Taking it out of the theatre and into the online environment. Really letting people interact with the characters.

I'm entering it into a competition soon. I don't expect to win but hey - I wrote a play, now I gotta to do something with it. I'd love to get it produced. I think that as the writer you have to be able to imagine how it would actually work in real life, so I'm itching to get it to that point. The characters feel like real people to me, I can hear them speaking as I read the words on the page and I want everyone else to see them too. The hardest part is putting yourself up for critique, especially when you have that little doubting voice in your head going "What makes you think you can write a good play anyway, dummy?". Shut up voice. I've pasted a scene below, from my favourite character: Molly. I kinda wish I was her. And think that I might be a little bit, don't they say that a writer's characters are just versions of herself?


I'd love to post it here, but the site won't allow for the correct formatting. So I guess you'll have to wait to see it for real ;)